Folk Revija: A View From Tamo Daleko

Four days after the cancellation of the Zagreb Folk Revija has been more than enough time for the Serbian tabloid Kurir to gather half a dozen vox pops from Serbian showbusiness and make it look as if the event's collapse was all the Croats' fault, or in Kurir's words that 'it's been shown for the umpteenth time that our singers are undesirable in Croatia!' - including a particularly nasty rumour, first launched by organiser Braco Zatezalo in yesterday's edition of the paper, that one of the women involved had received a threat of rape.

The quoted singers themselves are a little more understanding, distinguishing between 'lots of people there [who] like our singers and Serbian music' (Sanja Đorđević) and an identifiable group to blame (be it the veterans' association, the Croatian media, or Croats who 'would rather their children listened to Chopin and Mozart').

The story on the Croatian side, meanwhile, is a much more mundane one of unverifiably disappointing ticket sales and an unclear destination for the ticket revenue. (The circus itself has been rescheduled for late April in Ljubljana, perhaps resuming the city's mid-90s function as a performance site for Serbian acts who weren't quite welcome in Croatia yet.)

The observation that whatever happened at Folk Revija would set the agenda for impressions of folk in Croatia applies, with this sort of escalation, as much to Serbia as it does to the host country. Is it really such a good idea for the prevailing Serbian tabloid memory of the case to be that Vukovar veterans threatened Serbian singers so severely that the show had to be called off for their own protection?